Friday, 26 February 2016

Why do Voiceover Artists need to be healthy?

Surely as a Voiceover Artist, all you have to do is stand there (or sit) and read out loud. Why do you need to take care of your health when the job is so easy?

If you are ill or not well or not on top form you will sound like it. Legendary DJ Tony Blackburn was much criticised during the height of his fame for his cheesy happy sound. He sounded happy because he was actually smiling!


                                  Practise, Practise, Practise 

If you have a cough or a cold you sound different- your nose is blocked and you find it hard to breathe and may wheeze too. So therefore you cannot work.

Once very highly respected Voiceover Artist who we met at Vox 2015 says he doesn't drink alcohol. At all. Because it affects how he sounds when voicing at 6am. Other voice talent won't voice before 10am as they don't sound awake enough.

Getting regular exercise is also a good idea - if you are unfit your breaths will be much heavier. So, get fit and learn how to breathe from your abdomen.

Make sure you can hear properly - and can tell when a take is bad and why.

        
Before glasses were needed


Make sure your eyes are good - and get them checked regularly. When I was reading the news on BBC Radio 2 I slowly found it increasingly hard to focus on the scripts - which initially I put down to tiredness due endlessly-changing shifts. But no, I was just the wrong side of 40. 

I now wear glasses to read all my voiceover scripts. And I insist on 14 point font for the scripts. 

Thursday, 18 February 2016

Which Voiceover Booth should I buy?

If you are looking for a new vocal booth in which to record your voiceovers, we recently saw this on social media and thought it worthy of discussion.

This is a link to a YouTube video about the new IsoVox 

     

David W takes a selfie in our vocal booth

My first reaction was "Is this an April Fools joke?" It looks ridiculous: far too small and cramped. And claustraphobic.

From the video I was wondering how you would ever be able to read a script in there? It looks as big as your head and no bigger. But from the Isovox website, it is clear you could read from a tablet and there is a light source. Whether it's a good enough light source I cant tell. I hate reading from a tablet - I still prefer paper (not least so you can mark up the script with amends.)

What I dont understand is their claim (at 0.40 on the YouTube clip) why a conventional method is good for recording but not practising.
 
   

What no voice talent?

Its only available in Sweden. For the moment.

Even if it does reach the UK, I really don't fancy sticking my head in a box to record my next voiceover. I just don't see how it would lead to a good performance.

Tuesday, 27 October 2015

Why do remote Voiceover Sessions go wrong?

Recently I did a remote voiceover recording session using IPDTL. I was at the desk here in BigFish Media. The VO was at home somewhere in the UK.

We connected at the agreed time, a few minutes before the session, plenty of time to grab a level test and make sure everything was good to go, but the signal was very weak.

So weak, that communication was not possible and we had to communicate via the text chat window on IPDTL.


Thinking that perhaps ipDTL was playing up, we tried communicating on Skype, but we had the same problem, a signal too weak to be of any use.

By now, both the client and their end client had called in via phone to monitor the session and were ready to start. However, I had still not managed to establish a good connection with the voiceover so I had to delay the client, which is never something we like to do here at BigFish Media.

When using internet-based communication, we always insist that our voice talent is connected to the internet via Ethernet and not Wi-Fi, as the former is a much more reliable connection.

I asked the voiceover artist if they were indeed connected via Ethernet and they confirmed they were. The voiceover said that they would reboot their computer and see if the connection would improve.

In the meantime I spoke to the clients and explained that due to technical difficulties, the session would be delayed.
The voiceover talent re-connected and explained that they had noticed, whilst their computer was indeed connected to their modem via an Ethernet cable, the internet settings had defaulted to Wifi. They had changed this and now the ipDTL and Skype connections were good and strong and communications were established.

However, the voiceover artist was, understandably, somewhat flustered by the technical issues and took some time to settle in to the session.

Thankfully the clients were pretty relaxed about it, the voice talent warmed up and all was well in the end.

However, it made me think, why did this happen and what could be done to avoid it in future?

Well, the truth is, nowadays, if you are a Voiceover artist, most of the time you will also have to be something of an engineer and an I.T. guru.


Not only will you often have to record the session at your end, making sure the computer is connected via Ethernet etc; you may also have to send the finished audio to us via Dropbox, which, while simple in principle, can be a source of confusion.

Mistakes I made early on included uploading to Dropbox whilst it wasn’t  activated, thereby adding the audio to a folder on my computer, but not sending it to 'Dropbox land' (somewhere above the clouds) to be retrieved by the other party,  and turning off the computer before the file was fully uploaded.

Of course it didn’t used to be like this (and still isn’t for the more famous among us). Yes, once upon a time, voice talent would go to a studio, step into the booth and talk, whilst the engineers on the other side of the glass would twiddle the knobs and roll the tape.

All you as the voiceover had to do was deliver a good performance, then go on a bender in Soho and spend all the filthy lucre you just earned by talking for an hour about the benefit of a caravanning holiday in Wales.

Nowadays for the working voiceover talent it’s often a different story. You may find yourself cramped in an under-stair cupboard, waiting for your mum to stop vacuuming  just long enough for you to hear what Belinda from The Video Production company and their client Stig from the Swiss kitchen appliance manufacturer,  are saying to you on Skype about how to pronounce the name of their new tumble dryer.  



It’s a far cry from the old days, but there are ways to make it run smoother. One of the main ways is to spend a bit of time familiarising yourself with your kit. Many of us don’t like doing it, but if you spend some time with it and make sure you know your internet and Dropbox settings, it will save a lot of hassle later.

And when it all goes well, you can still go on a spending spree with the money earned from your voiceover session.
  


Thursday, 15 October 2015

Should I buy a Condenser Microphone or a Dynamic Microphone?


Have you ever been shopping for a new mic for your home voiceover studio and wondered about the difference between a 'dynamic' and a 'condenser' microphone?

In this short video, Gary Boss from Audio Technica explains...




... and when you've heard Gary tell you the differences between the two types of Microphone, you might want to learn exactly how each one works.

Dynamic Microphones


Condenser Microphones




So hopefully you now know which microphone to choose for your next voiceover.


Thursday, 3 September 2015

What are the alternatives to ISDN?

Many new voiceovers complain that they are not able to install ISDN lines. We are aware that BT has been trying to get rid of ISDN for a long time (other providers are available) but frankly it is very old and expensive technology.

Thankfully, as the internet is so fast these days, there are now several IP solutions.


We now mostly use ipDTL. It costs us £200 per year but we can send links to our remote voiceover talent and they can use it for free. All parties must have Google Chrome and ethernet (not wifi)

Source Connect works in a similar way but was much more expensive. They are now testing Source Connect Now (SCN) which is much cheaper. We had issues connecting initially so we gave up - but recently we had a much better time of it with one of our voice talents. It seemed to work fine - there is also a natty recording device within the software. And then a quick download button. The restriction of this is that we cannot check that recording levels are correct.



We have not checked out SoundStreak. This claims it will work on wifi (although ethernet is better) and you don't need Google Chrome. Their business model is interesting though: instead of paying a fixed fee, you only pay when the producer has a session. (For voiceover talent it is free.) That may encourage take up but may cost more in the long run if it is your full-time business.

And don't forget you could always ask your client to your voiceover session via the phone, Skype or GoToMeeting (or other conference call software.)

Wednesday, 26 August 2015

Why do I need a Pop Shield to do Voiceovers?

Pop shields are an essential piece of kit in the world of voiceovers. You can buy a pop shield from about £20, but if you are worried about money, you can make you own using a wire coat hanger and a pair of tights.  






Before






                                                            After


Without a pop shield, plosives (hard consonant sounds at the beginning of words, e.g. P's in Peter Piper picked a peck of pickled peppers) are exaggerated and are likely to ruin the recording.  The pop shield softens the harshness of the sound.   

A professional pop shield will come with a clamp to attach to the mic stand or booth.  It is important that you do not connect it directly to the microphone, as any vibrations will be transferred to the mic and that will ruin your voiceover.


                                                                                                 

Wednesday, 19 August 2015

Should I put client logos on my Voiceover website?

Many voiceover artists like to add the logos of their high-profile clients on their websites. And who can blame them?

It looks better than just a list of clients. And it's much more visual too. We can take in the information much quicker. But is it worth the grief?


We are sure that many logos are used without obtaining permission. And that's a risk you can take and you can just remove them if the relevant company complains. Unless they want to sue you for breach of copyright of course. But anyway you now have a contact at that company to ask permission for future use.


Some companies will refuse permission for any other website to use their logo. At all. For others you will need their permission. Often getting hold of the right department let alone the right person can be a trial.

And you will need to have worked directly for that end client rather than an agent or production company. If you haven't the "middle-man" can also refuse to let you use the logos as it was their client not yours!

Oh and if you do get permission to use their logo because you recorded voiceovers for them, you will need to renew it every year.